The dull, unimaginative but honest Wagner is a parody of bourgeois pedantry. His characterization emphasizes the differences between the search after knowledge for its own sake or for worldly rewards and the search for true understanding.
After Wagner departs, Faust returns to bitter thoughts about human impotence. The sight of a skull makes him think of suicide as the solution to his problems. He is about to drink a glass of poison when the pealing of church bells and the melodious singing of a choir remind him of the Easter message of resurrection and eternal life. Faust does not literally believe in these concepts, but they bring back memories of his childhood religious faith and their symbolic meaning restores his self-confidence.
Martha, the neighbour, is Gretchen’s friend. At the opening of the scene she is alone,, thinking about the long absence of her husband. Gretchen runs in and tells Martha that she has found another casket of jewels, but this time has not told her mother. Martha advises that she continue to keep it a secret, otherwise these will be taken from her also.
Martha’s worldliness and materialism make her an effective contrast to the innocent and romantic Gretchen, and a human counterpart to Mephistopheles. This scene is important because it shows Gretchen’s first moral lapse in her decision to keep the second casket of jewels a secret, and thus is the first step leading to her eventual downfall. Gretchen’s motives are not evil-she is moved by a naïve joy in what seem to her only pretty baubles. Gretchen’s sins will become more serious, but the simplicity and innocence of her motives will not change. She will be victimized by her lack of experience and her faith in human nature.
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